Pitchfork’s Next Sunday Review: The Miseducation of Lauryn Hill

Each Sunday, Pitchfork posts a single album review that examines an important album the site has never reviewed. These pieces are in-depth long-reads from the best critics in the field, exploring the record’s original context and examining where it fits into an artist’s career and discography, as well as what it means to music now. Our first four installments were Barry Walters on Kate Bush’s Hounds of Love, Jayson Greene on George Harrison’s All Things Must Pass,  Mark Richardson on Neil Young’s Tonight’s the Night,  and Simon Reynolds on Pulp’s Different Class. This week, Carvell Wallace explores Lauryn Hill‘s 1998 solo debut, The Miseducation of Lauryn Hill. See you Sunday.

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