Pitchfork’s Next Sunday Review: Pulp’s Different Class

Each Sunday, Pitchfork posts a single album review that examines an important album the site has never reviewed. These pieces are in-depth long-reads from the best critics in the field, exploring the record’s original context and examining where it fits into an artist’s career and discography, as well as what it means to music now. Our first three installments were Barry Walters on Kate Bush’s Hounds of Love, Jayson Greene on George Harrison’s All Things Must Pass, and Mark Richardson on Neil Young’s Tonight’s the Night. This Sunday, Simon Reynolds takes on Pulp‘s 1995 classic Different Class, connecting the album’s wry sense of class politics to the current turmoil in Britain. See you Sunday.

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